Friday 4 December 2009

DECEMBER'S SCREENING - Wages of Fear

SUNDAY DECEMBER 20th at 5pm
At 56a Infoshop

WAGES OF FEAR, Henri Georges Clouzot , 1953 (131m)

“It’s like prison here. Easy to get in. ‘Make yourself at home.’ But there’s no way out.”

The Wages of Fear (Le Salaire de la peur) is a 1953 drama film directed by Henri-Georges Clouzot, starring Yves Montand, and based on a 1950 novel by Georges Arnaud.

When a South American oil well owned by an American company catches fire, the company hires four European men, down on their luck, to drive two trucks over mountain dirt roads, while carrying the nitroglycerine needed to extinguish the fire.

The film centers on the fates of a handful of men who are stuck in a South American town. The town, Las Piedras, is isolated due to the surrounding desert but it maintains contact with the outside world through a small airport. The airfare, however, is beyond the means of the main characters (many of whom are also noncitizens without proper paperwork for work or travel). There is little opportunity for employment aside from the American corporation that dominates the town. The company, Southern Oil Company, called SOC, operates the nearby oil fields and owns a walled compound within the town. SOC is accused of unethical practices such as exploiting local workers and taking the law into its own hands.

The catalyst to the film’s action sequence is a massive fire at one of the SOC oil fields. The only means to extinguish the flames and cap the well is nitroglycerine. With short notice and lack of proper equipment, the only means of transportation are jerrycans placed in two large trucks. Due to the poor condition of the roads and the highly volatile nature of nitroglycerine, the job is considered too dangerous for the unionized SOC employees.

The company recruits drivers from the local community. Despite the dangers, many of the locals volunteer, lured by the high pay: US$2,000 per driver. This is a fortune to them, and the money is seen by some as the only way out of their dead-end lives.






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