Monday, 23 April 2012

Sex As Work Double Bill

Sunday 29 April | Doors 7pm | Admission Free




Qaleh
Directed by Kamran Shirdel, Iran, 1966-1981 (18mins)
and
Prostitute
Directed by Tony Garnett, UK, 1980 (1hr 34 mins)


Qaleh - The Women's Quarter (1966-1981) shows the life of prostitutes in Tehran's city brothels, an area known as Shahre Now. The film closely follows a number of women and communicates how the burden of social constraints led them to surrender in the face of their common fate. By including photos in the film, a very unique and artistic approach that brings to mind Chris Marker's classic La Jeteé, Shirdel not only tempers the subject's emotional heaviness but also respects the individual's privacy, two pitfalls that often afflict films that deal with themes of this nature. The film does explore the possibility of re-education and development for these women, but in no way does it paint over the hard and brutal reality. As the film closes, a magnificent scene shot in slow motion leaves us with the memory of this ugliness forever imprinted in our minds.



The film was produced on behalf of the Organization of Iranian Women and was immediately banned while shooting was still going on. After the revolution, a portion of the material was recovered, and Shirdel decided to finish the film using photos by the late Kaveh Golestan that were taken more than ten years after the film itself was shot.


Prostitute (UK), 1980
Directed by Tony Garnett

Mastered from original film materials and presented fully uncut for the very first time, Prostitute is Tony Garnett’s groundbreaking and controversial documentary of the lives of a group of Birmingham sex workers.




One of British television's most critically acclaimed figures, Tony Garnett has been responsible for producing some of the UK’s most radical dramas. In the 1960s and 1970s he collaborated with director Ken Loach, beginning with the groundbreaking Up the Junction (1965) and Cathy Come Home (1966). After spending most of the 1980s in America, he returned to work on series and serial drama with a range of credits, including Between the Lines (1992-1994), This Life (1996-1997) and The Cops (1998-2001).

His cinematic directorial debut, Prostitute (1980), which he also wrote and produced, is the story of two women – Sandra (Eleanor Forsythe), an ambitious but naïve Birmingham working girl who moves to London with the hope of securing wealthier patrons, and Louise (Kate Crutchley), her social worker friend, who is fighting to change the antiquated and hypocritical prostitution laws. As both strive to achieve their goals, a cold dose of reality dashes their hopes and the built-in biases against women in society are unmasked. Tony Garnett researched and developed the film over several years, working closely with PROS, the Programme for Reform of the Law on Soliciting, for the decriminalisation of prostitution in Britain.

Recalling the film in 2011, Tony Garnett writes:

I wanted to make a film from the prostitute’s point of view. It would not be sexy, turning the audience into punters. No prostitute would turn out to have a heart of gold or fall in love and marry a kind, millionaire punter. It would be about money, buying and selling, and the stress that particular trade imposes. It would show how class distinctions altered the transactions. I hoped for insights and debate. Often when dealing with a world the public does not know but thinks it knows, it is useful to dispel the prejudice by just carefully revealing its day to day character in a matter-of-fact way. I was not interested in making a genre film, whether thriller, romance or morality tale.



AT

Colorama Cinema
52-56 Lancaster Street
London SE1

Sunday, 15 April 2012

COMMUNISATION FESTIVAL


Full Unemployment Cinema and the Copenhagen Commune invites you to:




Venues: Folkets Hus, Kafa-X and Saxil Cykler, Copenhagen

Thursday & Friday April 18 & 19 from 10.30am until late.

The teach-in and festival will focus on the term communisation that recently have become a term for debate within ultra-left revolutionary theory and practice. The days we spent together will consist of a combination of theoretical and practical workshops and film activities, such as screenings and a communist film production workshop.

‘Communism is not a set of measures to be put into practice after the seizure of power [...]. All past movements were able to bring society to a standstill and waited for something to come out of this universal stoppage. Communisation, on the contrary, will circulate goods without money [...] it will tend to break all separations.’
Gilles Dauve and Francois Martin
The Eclipse and Re-Emergence of the Communist Movement.

Communisation can be broadly understood as the abolition of capitalism and the immediate production of communism within a revolution. Class relations, exchange, money, the domination of life by value, the state and its apparatuses of control - all would be negated in this process rather than maintained and utilised during a transitional phase towards communism. The process of communisation is communism and communism is communisation. In this communisation represents a break with ideas of revolution as the imposition of 'workers control' or the self-organised management of capitalism. Communisation would be the production of new social relations that would destroy our status as proletarians, contest everyday alienation, call into question gender relations and definitively displace capital as the organising principle of our world. The revolution as communisation would mean discovering desires and collective ways of living unacknowledged and almost unimaginable within capitalism.


Full Unemployment Cinema is a London based group that has been running a film programme screening films about or against work for the last few years. The Copenhagen Commune is a loose network of activists, artists and drop outs working for an independent and communist Copenhagen. The festival is organised in collaboration with Wall & Space / the Royal Academy of Fine Art.

A pamphlet, The Communisation Companion, can be downloaded here:
http://zinelibrary.info/files/pamphlet.pdf

PROGRAMME:


THURSDAY 19TH APRIL
Venue - Folkets Hus, Stengade 50, Nørrebro

10.30 Coffee and tea and introductions
11AM -2PM
Introduction to The Festival and Full Unemployment Cinema and the Copenhagen Commune.

OPENING SESSION: THE QUESTION OF COMMUNISATION
Communisation might seem to be little more than a utopian dream of the negation of capitalism, a future event that has little to do with our lives in the present. But communisation is already a process and tendency in motion at present in relation to real desires emerging from the everyday. It has already started...

2PM - 3PM - LUNCH

3PM - 6PM (PARALLEL WORKSHOPS)

(1) COMMUNISATION & GENDER
Discussion around what the family and gender relations have to do with communization and capitalism, how feminism relates to communism and what this might have to do with relationships now.

(2) FICTIONAL COMMUNISM
Workshop about how reading and writing fiction informs and changes our notions of what communism might be. Discussion hopefully followed by the production of some very, very short stories or stripes. at the end of the workshop we can produce a booklet gathering all the short short stories and the small small drawings produced.

(3) COLLECTIVE FILM & AUDIO MAKING
Part One: This workshop will be an experiment in collective use of images and sound. We will create a large collective storyboard which will act as our starting point for finding different ways of making a film together. Part Two of this workshop is on Friday. It okay to come to Part One, Part Two or both.

6.15 Dinner at Kafa-x , Korsgade 19

7.30 Talk by Tarek Shalaby about the Egyptian revolution, Activist from Cairo


8.30PM FILM SCREENINGS:
VENUE - Saxil Cykler, Blågårdsgade 12, Nørrebro

WORKING SLOWLY-RADIO ALICE by Guido Chiesa (2004) 111mins 

Revisiting the Italy of the radical Seventies and its obsessions with class struggle, creative anarchy and macrame ponchos, Working Slowly (Radio Alice) provides a fascinating glimpse of a time of protest.
+SHORT MOVIES TO BE ANNOUNCED


FRIDAY 20TH APRIL

VENUE: Folkets Hus, Stengade 50, Nørrebro

10.30 Coffee and tea

11AM -2PM (PARALLEL WORKSHOPS)
(1) SPECULATING ON COMMUNISATION: UTOPIA, DESIRE and PLAY
How might past utopian ideas inform the question of communism today?
Discussion, drawing maps of future and past utopias, writing a blueprint for a utopia in the present. Walking around and trying to find utopian traces (architecture, art, everyday events) in the shit of the present.

(2) ANTI-POLITICAL COMMUNISM
Human strike and the critical value of depression / Resistant bodies /
Affinity, friendship and the end of organizations / Politics as a capitalist enterprise / The value of doing nothing / What's the point of being a communist activist anyway?

(3) COLLECTIVE FILM & AUDIO MAKING

Part Two of the workshop. We will be an experiment in collective use of images and sound. We will create a large collective storyboard which will act as our starting point for finding different ways of making a film together. It's okay if you have missed Part One. All welcome.

2PM - 3PM - LUNCH

3PM - 6PM
VENUE - KAFA-X, KORSGADE 19

(1) HOW IS IT TO BE DONE: STOPPING PRODUCTION?
What have we learned together from all of our discussions and working together over the last two days? What ideas and reflections can we share? We will attempt to think how these discussions can inform some kind of practice and tactics.
We can also ask what inspiration can be drawn from recent movements in Greece, Spain, Egypt, Occupy and from squatting, the refusal of work, the question of violence, etc. Can we ever win and what would winning mean? All the groups, participants, passersby and so forth who have been part of the Communisation Festival will gather once again to discuss the problem of what is to be done. Or of How to?

6.30-8.00 Self-organised dinner in the area.

8PM FILM SCEENINGS
VENUE - Saxil Cykler, Blågårdsgade 12, Nørrebro

EASTERN PERIPHERY by Vasilis Vafeas (1979)
Chronicle of workplace anomie at 2 different scales of medical supply firm in Greece (local capital and international capital) which unfolds in two halves that don't seem to have any narrative connection.
+SHORT MOVIES TO BE ANNOUNCED

Later: Bar and music in the street.

>

Friday, 16 March 2012

Bossnapping / Employer Termination Double Bill

Sunday 25 March | Doors 7pm | Admission Free

Louise-Michel, France (2008) 91mins
directed by Gustave de Kervern & Benoît Delépine

Laukaus tehtaalla AKA A Shot in the Factory, Finland (1973), 79 mins
Directed by Erkko Kivikoski



Louise-Michel, France (2008) 91mins
directed by Gustave de Kervern & Benoît Delépine

What to do when the workers of a factory have been laid off overnight? Louise has an original idea : why not pool the compensation money to... hire a hit man and to liquidate the boss ? Motion accepted so Louise goes in search of the gem they need and unfortunately comes across Michel, a stinky security specialist. Michel, who is busted, gladly accepts the deal but proves so inept that he sub-contracts the job to improbable novices. Moreover, as the factory was a mere branch of a multinational company, it is no bed of roses to find the one who actually made the decision to outsource its activities. But Louise will not give up so easily.



The film takes its name from Louise Michel (1830–1905), a French anarchist, school teacher and medical worker.

She was active during the Paris Commune as an ambulance woman and treated those injured on the barricades. During the Siege of Paris she untiringly preached resistance against the Prussians. On the establishment of the Commune, she joined the National Guard. She offered to shoot Thiers, and suggested the destruction of Paris by way of vengeance for its surrender.

Laukaus tehtaalla AKA A Shot in the Factory, Finland (1973), 79 mins
Directed by Erkko Kivikoski



In the beginning of this film we see an elderly man cycling to his workplace, a factory in a small town, but not for work. Instead, he walks determinedly to the manager's room, takes a sawn-off shotgun from under his coat and kills his boss. The events that led to this desperate action are then gone through in documentary style: the company's decision to close down an entire department of the factory, the unsuccessful negotiations between the staff and the management and the final redundancy of over 30 workers, most of whom find themselves unable to find new work anywhere else.



A true classic of Finnish cinema, and an insightful, well-informed exploration of the effects of global capitalism on a small community of working men and their families. The film won the Grand Prix at the 1973 Berlin International Film Festival.



AT

Colorama Cinema
52-56 Lancaster Street
London SE1

Bossnapping in France

How One Can Still Put Forward Demands When No Demands Can Be Satisfied
by Jeanne Neton and Peter Åström

August 2010

Published in Sic: Journal of Communisation Issue 1:
http://communisation.net/How-one-can-still-put-forward?lang=fr

On the desperate struggles in France

Introduction

After a short wave at the beginning of the century, instances of proletarians taking their bosses hostage or threatening to blow up their factories reappeared in 2009, and have since become something of a trend. We can now count as many as twenty cases since the beginning of 2010.
What took place at Siemens is quite representative of the context in which such struggles emerge. In September 2009, the management of this metallurgical engineering company announced 470 redundancies at the Montbrisson site and the outright closure of the Saint-Chamond site. In keeping with an agreement signed on the 12th of February the trade-unions prepared a counter-proposal to save jobs, but the negotiations came to nothing. “The management no longer listens” one employee noted. The workers then organised demonstrations, blocked the motorways, and went on strike at the Montbrisson site, but these efforts were fruitless. Then on Monday the 1st of March 2010, the employees at the site of Saint-Chamond took two of the group’s executives hostage in order to force the resumption of negotiations. The employees announced the actions were “mandated by all of the staff”, in response to “the blockage of all negotiations”. Reached by telephone the executives taken hostage described their situation in the following manner : “[The employees] have let us know that we are going to be held for as long as there has not been the progress in the negotiations that they wish to see, especially over the increase in compensation beyond the legal minimum for those who have been discharged.” After being locked up for one night they were released and the following day an agreement with management was reached. It confirmed the closure of one of the sites, reduced the number of jobs that will be cut and accepted an increase in compensation from 35,000 to 45,000 euros.

Cases of threats to blow up the factory have also been repeated in 2010, following the example of New Fabris the year before, a struggle which enabled the employees to receive a compensation over the legal minimum of 12 000 euros. This method was used in 2010 at Sodimatex, an automotive equipment manufacturer, and the same month also at the Brodard Graphique printing house and at Poly Implant Prothèse, a manufacturer of breast implants, where on the 12 of April 2010 the employees threatened to set the premises on fire. Eric Mariaccia, a representative of the CFDT union, stated the following : “We have made Molotov cocktails and placed highly flammable products at the site’s entrance.” The workers also spilled several thousand prosthesis in front of the site and set fire to tyres.

Even-though the usage of such methods seems unthinkable in other western countries, in France they are considered acceptable by a large proportion of the population.1 Abroad, such occurrences are regarded as an expression of a “certain French mentality” and a tradition of revolt that can be traced as far back as the revolution of 1789. If the stupidity of such a view is obvious, the reasons behind such a specificity can not be explained without both a study of the concrete cases – the most recent ones as well as those before – and also an analysis of the development of the mediations between the classes that were established in France after the end of the Second World War.

The questions that we seek to respond to by going through these moments are : Why do these forms of illegal struggles reappear today ? why in France ? and why only in the context of a redundancy plan ?

Illegal struggles in France

While cases of bossnappings or physical violence against employers can be traced back to the Popular Front of 1936, they are very unusual in the boom years from the end of the Second World War to the years immediately preceding May 1968. In the few examples that do occur in this period, such as at Peugeot Sochaux in 1961 (the employer manhandled), or in 1967 (bossnapping), we do not find any case that is due to the closure of a factory. These forms of action were taken with a view to obtaining better working conditions and wage increases.2
In May 1968 we see the first appearance of a wave of bossnappings (there are no less than eleven cases from the 14th to the 20th) and they also mark the beginning of the 1970s. But as the economic situation in France is still relatively sound, at least until the oil shock of 1973, bossnappings are then still primarily used in order to obtain higher wages. In 1971 at the Egelec-Somarel factory, the employees detain two bosses in the factory and keep them there for 24 hours with the aim of increasing their wages by 50 cents an hour. At Flixecourt, in the Somme, the employees hold captive the personnel director and four executives to achieve wage increases and retirement at 60 years. In the company Le Joint Français, in Saint Brieux, three managers were held for 24 hours. The workers demanded a wage increase of 40 cents an hour and a thirteenth month. The actions by Maoist groups implanted in the factories in this period also favoured the choice of this type of action as they were sometimes carried out only by these groups. (In 1972 a boss at Renault was held hostage by members of the Gauche Prolétarienne.) What is certain is that these actions are difficult to compare with the “desperate struggles” that we see appear in the steel industry at the end of that same decade.3

It is only in the 1970s, when mass unemployment became a reality throughout the country, that bossnappings became a form of action specific to struggles around factory closures. In this period very violent struggles broke out. They often persisted for a long time, gathered a large number of workers in whole regions, and were supported by actions of solidarity from further afield.

At the end of the 1970s a European agreement on the restructuring of the steel industry threatened hundreds of jobs in the region of Lorraine. In this context in January 1979, at a factory in the city of Longwy, 300 of the 1,800 employees took the manager and two executives hostage at the time of a meeting deciding on layoffs. When the police intervened to free the manager, the steel workers responded by attacking the city’s police station. Their struggle went on for five months, making use of a variety of means of action (strike, free radio, destruction of material…) and mobilising throughout the whole region. After this the workers obtained, among other things, an early retirement at fifty years with 84 to 90 per cent of the salary.4
At Pointe de Givet on the 9th of July 1982, workers held the manager hostage for 48 hours, to protest against the closure of the factory at Chiers in Vireux, in the Ardennes. The workers’ struggle lasted for almost two years, in conjunction with a struggle against a nuclear facility in the region. Violent clashes with the police took place every month (throwing Molotov cocktails, there were even gunshots) as well as violent actions : the burning down of the managers’ mansion, occupation of banks, the public treasury looted. After many years of struggle the workers obtained a “historical” severance package that allowed some to keep their salaries for ten years.5

After 1982, for almost twenty years bossnappings and threats of destroying work places were almost non-existent. This explains the great surprise that the actions taken by the workers at Cellatex and Moulinex caused in the early 2000s.

In July 2000, the closure of the Cellatex factory in Givet (the Ardennes) inaugurated the return of violent social conflicts. After the company went into liquidation the workers occupied the factory. Negotiations were then held with the state. When on the 17th of July the prefect of the Ardennes region announced his offer of economic compensation the reaction was violent : during the evening, the workers poured 5,000 litres of sulphuric acid into the nearby river, and within the building there was still 47,000 litres that they threatened to use at any moment. The offer that was proposed to them was 2,500 francs instead of 1,500 (the legal minimum). Shortly before midnight the prefecture announced that there shall be a new meeting of negotiation and asks that the workers cease their actions. In the end the workers obtained a compensation of 80,000 francs, far above the legal minimum (on average one year of minimum wage).6

On the 19th of November 2001, after two months of occupying the factory (which is to be closed permanently with more than 1,100 lay-offs), the workers at Cormelle, one of the sites of the company Moulinex, took extraordinary measures to attract attention to their situation. Since the 11th of September a banner had been hung on the factory wall saying “No to the closure – money or boom”. Now the workers try to prove that they are not joking. They set fire to a small storage building and start to carry up gas cylinders and cans of sulphuric acid to the roof.

Fire-fighters arrive but are at first prevented from entering. A group of female workers holding on to the entry gates start to shout “It is burning firemen, it is Moulinex that is burning !” One of them continues : “We warned you, it is exactly two months that we have been waiting for something concrete. They easily find money for private clinics. But for us, nothing. After thirty years in this place we earn 6,500 francs and they fire us with 50,000 francs. It is out of the question.” The police chief then appeals to the workers : “Do not burn your factory. Negotiations are underway in Paris. Please be reasonable people.” A man shouts back : “If Paris doesn’t contribute a thing we will in a flash turn to the weapon of sabotage. They will listen to us, the news never speaks of us.” The next day a new offer is given to the union representatives containing a much higher compensation : 80,000 francs for everyone. In the following week an agreement is signed with the major unions. In contrast to Cellatex, the economic compensation varies between 30,000 and 80,000 francs according to seniority.7

However, it is really only in 2009, with the crisis, that we see the reappearance of a veritable wave of bossnappings : 6 cases in March–April 2009, then another 4 cases in June–July 2009. It must be said that the restructuring and plant closings have increased since late 2008. Thus, according to a group in the Ministry of Finance assigned to analysing the crisis, there were between the 1st of January 2009 and September of that same year 1,662 severance plans in France, compared to 1,049 during the whole of 2008 and 957 in 2007.8 In 2010, the bossnappings resumed in January. There was one case that month, 3 in February, more than 4 in March, 4 in April, plus three threats to blow up the factory, three bossnappings in May and one in June. The majority of these actions took place in subtracting firms, and many belong to foreign groups, in which case it is difficult to find an interlocutor. They are all due to redundancy plans or restructuring and take place in areas where the possibilities of finding employment are bleak.

These bossnappings rarely last for more than one night. However, they always lead to a return to negotiations, whatever the final result might be. In general, at the end of the negotiations, the jobs that have been threatened are not saved, but the compensations that are admitted are a lot higher than those prescribed by law. The employees at Continental, who, apart from taking their boss hostage also looted the town hall, gained 50,000 euros after their struggle, something which convinced others to make use of their methods. The announcement that this sum was being paid was followed by new bossnappings. The media plays an important role in these conflicts. Often it is the workers who contact them as soon as they have taken a boss hostage, and they express their grievances to them, while management remains silent on the subject. The support of public opinion then forces the state to intervene publicly, and it is often this which forces the representatives of the foreign groups to sit down at the negotiation table.

The cases in which there has been a threat to blow up the factory have also proved themselves effective, after the example of New Fabris in 2009. On the 12th of July 2009, the employees at this company, which is specialised in the melting of aluminium for the auto industry and a subcontractor for Renault and PSA, installed gas cylinders at the site and made their intentions very clear : “We will blow up everything if we are not granted a plan of compensation of 30,000 euros above the legal minimum.” Compared to the workers at Rencast, who were in the same situation and destroyed pieces destined for Renault by throwing them in the furnace, the workers at New Fabris threatened to move up a gear. Even though they did not execute this threat, the 366 workers got a severance bonus of 12,000 euros, net, in addition to statutory compensation.

On the other hand, in the context of redundancy plans, workers attempting to self-manage production has been almost non-existent. The media has often mentioned the Philips factory in Dreux, where the employees restarted production “under workers’ control” after learning about the closure of their site where they produced flat panel displays. However, the TV sets produced in this way were never intended for sale, but to be stored in a warehouse under lock and key for “use as bargaining chips”.9 Ten days later, the management intervened with bailiffs and threatened with dismissals. The workers then returned the TVs and that was the end of this experiment in “self-management”.10

Among those companies affected by violent actions in 2010, there are several sub-contractors for the auto industry (Proma France, Sodimatex, EAK), but also two metallurgical companies (Akers, Siemens) ; a manufacturer of elevators (Renolift-Meyzieu), of pneumatic utilities for BTP and the industry (Sullair-Europe) ; a manufacturer of breast implants (Poly Implant Prothèse) ; a factory of enamelled copper wire (Usine Essex) ; an industrial bakery (New Society bread) ; an industrial maintenance company (Isotherma) ; and a manufacturer of telescopic handlers (Bobcat). Increasingly however the service sector is also affected. This year, to refer only to cases that have appeared in the media, bossnappings have taken place at a surveillance company (Vigimark Surveillance) ; a bank (Caisse d’Epargne) ; 4 hospitals (Cochin, Emile-Roux, Henri-Mondor and Foix-Jean Rostand) ; 2 printing houses (Brodard Graphique and Hélio-Corbeil) ; and a furniture store (Pier Import). The printer Yvan Lesniak, CEO at Circle Printers, even maintains to have been kidnapped seven times in all. This is how he describes the atmosphere that reigned when he tried to announce a lay-off plan : “When you during a conflict start to see crosses, coffins, gallows, your portrait hanging from a tree, when a price has been set on your head together with the sign ‘Wanted’ and photo, and you still have to go into the building you know that you run a risk.” Even-though the bosses are in general not maltreated, the hostility they are facing is often palpable : “They have thrown rotten tomatoes in my face, eggs, I have been spat upon, prevented from sleeping. […] I had to ask for permission to go to the toilet, I’ve been insulted, I came to a place of hatred, of aggressive people.”11 Some employers have come to be accompanied by bailiffs during the negotiation meetings, and anti-kidnapping training courses are organised for them with the GIGN (National Gendarmerie Intervention Group)… Yet the majority of the bossnappings and threats to blow up the factory are spontaneous and organised by the workers on the shop-floor. For example, a representative from the CGT union at Caterpillar, Pierre Piccarreta, who played the role of media spokesperson at the beginning of the struggle, was not aware that a bossnapping had begun, and was only informed of it as he was hosting a meeting at another factory. The FO union secretary of the factory said that “In any case, during the whole conflict, it was the shop-floor who directed us, who made the decisions.”12 For Jean-Claude Ducatte, the founder of the consultancy Epsy and a specialist in business strategy, it is clear that “in 9 conflicts out of 10, the unions run behind the employees who let their anger explode.”13 And as the grassroots unionists participate in these illegal actions they are clearly dissociating themselves from the line followed by the central trade union. For instance Xavier Mathieu, a CGT delegate at Continental, appeared a lot in the media during the conflict and publicly dismissed Bernard Thibault, the CGT’s general secretary, as “riff-raff” and a “parasite”. It must be said that the central unions, whether they are the CGT, CFDT or FO, want to focus on defending jobs rather than the demands for increased compensation and declare that they do not approve of means of action such as bossnappings and threats of blowing up the plant, even-though they do not condemn them in public. During the conflict at New Fabris, Marise Dumas (CGT) declared on the radio station Europe 1 : “I understand that the employees believe that it is their only way to let themselves be heard. Mostly these are means of action that I would not advice to employees because they lead into dead ends.”

The grassroots unionists, if they do not want to be completely overtaken, are thus obliged to take a critical stance towards their representatives. It has to be said that they have a very hard time proving their legitimacy as in the private sector they have got only 5.2 % of the employees as members. The structures that in other countries allow for this level of conflict to be avoided have limited effectiveness in France, and the basis for this French exception has to be sought in the way the Fordist model developed here after the Second World War.

Fordism and its French specificity

Fordism is a form of the relation of exploitation which has its origin in a greater integration of the reproduction of labour power in the reproduction of capital. This modality rests mainly on the extraction of relative surplus-value, which cannot come about without affecting workers’ consumption. In order to reduce the reproduction cost of the class, and thus the part of necessary labour in relation to surplus labour, the costs of the commodities that enter into this reproduction has to go down, which is accomplished through mass production of these commodities, something made possible by a substantial increase in productivity. The workers can then buy more products, as their costs have been greatly reduced, and an increase in their real wages is made possible even though the share of wages in relation to added value decreases. Moreover, at a time when international competition is limited, the increase in wages has an immediate positive effect on domestic demand, benefiting companies in the same countries that seek to sell the mass of new products on the market. Wage demands then assume a functional role in the accumulation of capital within a national area.

At this point, such claims can be satisfied by the capitalist class, provided they do not question the new working conditions necessary for a constant increase in productivity. Similarly, the constant revolutions in the labour process can be accepted by the workers since their wages rise. Here, collective agreements play a major role in establishing these conditions at a national level.

In the United States collective agreements appear in the interwar period. An important year was 1935 when the Wagner Act became enacted. This law officially recognised the existence and activity of labour unions and forbade employers from harassing workers because of their union membership or their participation in collective action. The subsequent years a number of important gains were attained in the area of wages and working conditions. Then a new wave of struggles swept over the country once again after the end of the Second World War with massive strikes in 1945–6. The capitalist class responded to this by pushing through new legislation in 1947, the Taft-Hartley Act, which curbed the power of the unions. Collective agreements then developed into a more and more centralised and planned form, in step with exigencies of productivity and profitability. The employers were ensured that strikes wouldn’t threaten transformations of the labour process, including such transformations that implied an intensification of labour. At the same time general wage guidelines were established for periods long enough to plan future investments – a necessary condition for a steady increase in productivity. Unlike the previous period, before the spreading of collective agreements, in which real wages increased during periods of downturn in accumulation (due to consumer goods deflation), the real wage was now able to move in the same direction as accumulation.14
In Sweden, a few years before and just after the Second World War, new institutional relations appeared that promoted the establishment of central collective agreements. Under the threat of state intervention in labour disputes, which were fierce during the 1920s, LO, the major Swedish trade union confederation, and SAF, the confederation of Swedish enterprises, struck between them a series of agreements, of which the most famous is the Saltsjöbaden Agreement of 1938. This created a unique model of understanding between capital and labour, characterised by very few conflicts with continuous wage increases for the workers and productivity gains for industry. The stability of this relation rested on the fact that the employers could count on the centralised union confederation to constrain local wage negotiations so that they did not threaten the profitability of the enterprises, on the basis of a trade union discipline imposed from top to bottom.

By comparison with the Swedish example, where the unions are highly centralised and organise a vast majority of the workers, thus being in a position of strength to negotiate agreements covering all workers, the French unions seem to have been in an unfavourable situation in the period after the Second World War. Highly politicised and in competition with each other, they had few members and were relatively poorly represented in the firms. The unions and the employers were unable to agree on certain procedures for negotiations so demands by the workers could be met only after intense struggles (struggles which sometimes led to the adoption of illegal actions), and as the balance of forces shifted the conflicts could easily reappear. Gains were won by the workers after strong grassroots mobilisation, and this constitutes a major specificity of class struggle in France (which does not mean that these gains were greater than those obtained peacefully in other countries). Although collective agreements existed, they initially concerned only the firms signing them and were not extended to the branch level. The failure of the unions to extend these agreements on a national level also explains another peculiarity of the French case : the important role that the state would play in generalising these gains. In 1950, the law of February 11th on collective agreements would give the Minister of Labour the authority to extend the terms from a collective agreement to other branches.15 Practically all French firms then fell under a collective agreement irrespective of their activity and size, thus providing French workers with fairly homogeneous conditions. It was also the state that would introduce a guaranteed minimum wage, the SMIG, in 1950, unlike the Scandinavian countries where a floor was guaranteed de facto by the unions without state intervention. Thus in France the state played a central role in ensuring a steady rise in wages and the homogenisation of its effects.
It should be noted that in France too, during this period, claims revolved mainly around the issue of wages. And even when they were accompanied by other demands on working conditions, it was meeting those concerning the wage that allowed for the conflicts to end.16

We have seen that the way class struggle developed during Fordism in France did not exclude a certain form of conflict that sometimes went as far as, although rarely, the use of illegal forms of action, as we showed in the previous section. The use of kidnapping can then be understood as a continuation of how disputes over wages were conducted in France. This type of action thus remains in the repertoire of collective action of the class, even if they lose their marginal character only with the crisis of Fordism.

The crisis of Fordism and the restructuring of the capitalist mode of production
From the mid-1960s onwards, the production of surplus value in its relative form was more and more hampered by its own contradictions. The enormous productivity gains achieved by the introduction of assembly line work were increasingly difficult to match ; the extension of mechanisation required ever-increasing investments in fixed capital, implying the need for continued expansion of markets while the risks of depreciation of fixed capital increased. The Taylorised labour process itself ran into technical problems that showed themselves more and more clearly. The intensification of labour and extreme fragmentation of tasks appeared to have a series of negative effects such as difficulties in maintaining a regular pace of work. Nervous exhaustion led to an increase in defective products, accidents and absenteeism. The latter required management to hire excess labour-power to step in where there were gaps since stoppages and delays on the assembly line had repercussions for the whole production process.17 More importantly, as the working conditions deteriorated, the presence of a large number of workers gathered in one factory encouraged mounting class struggle at the point of production. After the great waves of struggle of the late 1960s and early 1970s, a restructuring of the organisation of work became necessary to break these workers’ strongholds.

But the restructuring would involve a revolution of the whole capital–labour relation. In order to overcome the constraints on accumulation that appeared during the crisis of Fordism, the restructuring aimed at eliminating everything which had then become an obstacle to the smooth functioning of the valorisation of capital. It not only dismantled the large factories and work units, by the introduction of subcontracting, of a flexible labour market, temporary and part-time jobs – that goes in hand with the feminisation of the labour market –, which grew at a spectacular rate,18 but the very connection between productivity gains and wage increases disappeared. This disconnection resulted from the globalisation of the valorisation of capital and an enormous extension of the international division of labour.19

The illegitimacy of wage demands

From the moment when the valorisation of capital takes place on a global level, the virtuous circle of wage increases and an increase in demand at the national level disappears. “Since the coherence of the Fordist mode of regulation lay in the relationship between productivity and distribution in a national context”, in restructured capitalism, the “production and distribution of economic value are becoming detached from the territory of origin.”20 “Because the interests of multinationals no longer coincide with those of their country of origin, collective bargaining ceases to be the pivotal element in the system of national macro-economic regulation.”21
The same reasons that enable companies in a country like France to move production to countries where labour power is cheaper, implies a strong downward pressure on wages of the workers in the centre at the same time as it allows an increasing inflow of cheap goods in these countries. The freeze on nominal wages is then partially offset by the fall in the cost of means of subsistence. The share of imported goods in workers’ consumption thus become more and more important and the wage level has less and less an influence on the demand for domestically produced goods. From now on the wage becomes a simple cost that needs to be reduced to a minimum. When this happens any claim for overall wage increases, addressed at capital at the national level, becomes impossible to meet, as this would call into question the competitiveness of businesses. Since, in contrast to the Fordist era, such an agreement cannot be made locally and then be extended to the rest of the sector, it becomes difficult for a single company to grant a wage increase without losing its competitiveness on the market. The workers who fight for such a wage increase cannot ignore the fact that in so doing the chances increase that the company will relocate or go bankrupt.
The struggles against factory closures is an exception to this rule. In this case the workers have no longer anything to lose and they can lay claims to a deferred salary in the form of severance pay, without having to worry about the future health of their business. Employees who had been working at firms where bossnappings and other illegal actions would later take place had often initially accepted worsened working conditions and sometimes wage-cuts in the hope that it would prevent the closure of the firm.22 But when this becomes inevitable, the anger from having consented to all that for nothing, and the knowledge that one no longer has anything to lose, translates into desperate forms of struggle in which it is clear that the future health of the company is no longer of concern, and that all the promises of retraining will not replace the one thing that remains tangible : hard currency. These struggles have shown themselves to be successful, since the employees concerned receive benefits far beyond those stipulated by law. Thus, according to Christine Ducros and Jean-Yves Guérin, the employees who resort to such forms of action receive on average four times as much in additional compensation than those who do not. Here, the fractional character of the struggles is not a sign of their inherent weakness but rather what allows them to be successful, because a generalisation would make them unacceptable for the capitalist class.

The conflicts which arose during these struggles, between the grass-roots and the central trade unions, is no repetition of the old opposition between workers who defended their autonomy and trade unions who sought to mediate their interests with the interests of the capitalist class. What the workers want is in fact a resumption of negotiations, and this is also the aim of the grassroots unions that cannot have any role when the employers refuse all negotiations. Taking such illegal forms of action then becomes the only realistic way to resume negotiations. The central trade unions are on their part forced to consider the long term perspectives of employment for the work force as a whole, but the employees who are facing the closure of their work place don’t give a damn about the long term.

There is however just a tiny minority that has resorted to such actions, and although the cases that we discuss here may seem numerous in that they do not occur in other countries, we cannot overlook all the factory closures where these forms of action were never taken. Moreover, even as these forms of action can be described as radical, there is nothing radical in itself in what they demand. And the sums that they have obtained, which seem important only in comparison with the meager compensation stipulated by law, cannot delay indefinitely a return to the joys of the labour market (but who would hire someone known to have kidnapped his former boss ?).
What is interesting in these struggles is thus not the fact that they would constitute the seeds of a new workers’ movement, but rather that they indicate what present-day struggles are confronting in restructured capitalism. Faced with the news that their factory is to be closed down, the workers have not sought to re-initiate production under self-management. Far from considering their work place as something they would want to reappropriate, they have taken it as a target. Their class belonging no longer forms the basis of a workers’ identity on which one could build a new society. The proletarians cannot escape their class belonging, but in their struggles they experience it as a wall that stands in front of them. Going beyond this limit would mean abolishing oneself as a class while at the same time abolishing all other classes: communisation.

Footnotes

1. In the spring of 2009 a survey showed that close to one Frenchman in two, 45 per cent, consider taking the boss hostage as being “acceptable” in the case of a factory closure. See “Sondage choc sur les séquestrations de patrons”, Le Parisien. The entire survey can be found at www.csa-fr.com/dataset/data2009/opi20090402-l- opinion-des-francais-sur-les-sequestrations-de-patrons.pdf
2. See Le Monde, November 11, 12, 14, 16, 1961, and Xavier Vigna, L’insubordination ouvrière dans les années 68. Essai d’histoire politique des usines, Presses universitaires de Rennes, Rennes 2007, p. 103.
3. See Christine Ducros et Jean-Yves Guérin, Le management de la colère, Éditions Max Milo, Paris 2010, pp. 173–174.
4. See Le Monde Diplomatique, October 1997, www.monde-diplomatique.fr/1997/10/RIMBERT/9295 (in French).
5. See the radio documentary Ça leur coûtera cher available at http://reposito.internetdown.org/videosetsons/vireux/ (in French).
6. Le Monde, July 19, 2000.
7. Le Monde, November 14, 2001 and Libération, November 19, 2001.
8. See Christine Ducros and Jean-Yves Guérin, op. cit., p. 9.
9. Cf. the comments by Manu Georget, a CGT union representative of a dissident section, who acted as a spokesperson during the struggle at http://onvaulxmieuxqueca.ouvaton.org/spip.php?article444&calendrier_mois=09&calendrier_annee=2010 (in French).
10. One may indeed wonder what prospects of self-management there were as the goods produced didn’t lend themselves to be sold to activists (which was the case with the clocks that were made at Lip in the 1970s and sold all over France at solidarity booths to support the struggle). And if plasma screens of a brand like Philips already lends little, then what about goods produced by a subcontractor for the car industry ?
11. Christine Ducros and Jean-Yves Guérin, op. cit., p. 77.
12. Christine Ducros and Jean-Yves Guérin, op. cit., p. 142.
13. Christine Ducros and Jean-Yves Guérin, op. cit., p. 149.
14. Michel Aglietta, op. cit., p. 202.
15. Benjamin Coriat, “Wage labor, capital accumulation, and the crisis 1968–82”, in Mark Kesselman & Guy Groux (ed.), The French workers’ movement. Economic crisis and political change, London 1984, p. 22.
16. “As Erbès Seguin […] has perceptively noted […] throughout the period that concerns us here wages served as a sort of general substitute for all other worker demands. To take one example the change to night-shift was in many cases accepted by labor in exchange for wage concessions by the employers.” – Benjamin Coriat, op. cit., p. 23.
17. Michel Aglietta, op. cit., p. 120f.
18. “From 1983 to 2003, the numbers of temporary employed increase from 113 000 to 361 000 (+ 316 %), of those employed for a limited period of time (CDD) from 263 000 to 1 624 000 (+ 517 %) and of those underemployed (part-time etc.) from 148 000 to 1 186 000, whereas over the same period the numbers of secure jobs (posts with conditional tenure [CDI] or public jobs) would only go from 16 804 000 to 18 847 000 (+ 12)” – Laurent Maudruit, “Les nouvelles métamorphoses de la question sociale”, Le Monde, April 7, 2005.
19. Some would of course argue that capitalism has always been global, but the process which began forty years ago and has now resulted in a global cycle of accumulation is something qualitatively different from international trade between countries. The growth of multinational firms is inseperable from the phenomenon of offshoring. In the case of France, as in other western countries, this started in the 1970s with the textile industry. (See the examples of the companies Kindy and Bidermann given in L’expansion no. 691, November 2004, quoted at http://www.m-lasserre.com/educpop/dossierdelocs/DusecteurindustrielaceluidelaR&D.htm)
20. Michel Aglietta, op. cit., p. 418.
21. Michel Aglietta, op. cit., p. 417.
22. See Henri Simon, “À Givet, une nouvelle forme de la lutte de classe ?”, Échange et mouvement no. 94, 2000.

Tuesday, 14 February 2012

The Dove on the Roof

Sunday 26 February | Doors 7pm | Admission free | Hot drinks served



The Dove on the Roof / Die Taube auf dem Dach
By Iris Gusner
Germany (GDR), 1973, 84mins

The VW Complex /Der VW-Komplex
By Hartmut Bitomsky
Germany, 1990, 93 mins




A pamphlet to accompany this screening is available here: http://zinelibrary.info/full-unemployment-cinema-dove-roof-and-vw-complex-0



The Dove on the Roof / Die Taube auf dem Dach


Trailer here:
http://www.defa-spektrum.de/?Verleih/1015889/Filmdetails/trailer


The VW Complex /Der VW-Komplex

















Hartmut Bitomsky's intriguing investigation of Volkswagen combines archival material and his own footage. He writes:

1. What is a complex? A psychic strategy that organizes complicated proceedings according to a particular plan and, at the same time, manages to make the whole thing impenetrable; the hyperactivity surrounding a defect so dramatically emphasized that nobody can get to the bottom of it.
2. A Volkswagen joke that used to be told before the war: A VW employee secretly smuggles out different parts every day so he can build himself a car at home. His bewildered friend asks him why the car still isn't finished. The other: "No matter how I put it together, it always turns out to be a cannon."
3. Sklovskij: "The machine gunner and the bass player are a continuation of their instruments. The underground trains, the cranes and the automobiles are the artificial limbs of humanity...these things are only as good as what man can make out of them."
4. Car stuffing: There have often been jokes made about the capacity of the beetle and record attempts have deduced that more people can fit into a beetle than there is actually room for. VW is a compilation word: "people" and "car." The plant used to belong to the state; then it was privatized and became a limited company. Nobody talks in terms of "people's shares" any more...

At
Colorama Cinema
52-56 Lancaster Street
London SE1


More screenings and info:
http://coloramacinema.tumblr.com/

Full Unemployment Cinema
http://unemployedcinema.blogspot.com/

Sunday, 8 January 2012

Playtime

Playtime (1967)
By Jaques Tati
France
125 min

Sunday 29th January | Doors 7pm | Free admission

At COLORAMA CINEMA
52-56 Lancaster St
London SE1
[THIS TIME WITH HEATING!]

DOWNLOAD THE PLAYTIME PAMPHLET FROM HERE!




Jacques Tati's Playtime is perhaps the only epic achievement of the modernist cinema, a film that not only accomplishes the standard modernist goals of breaking away from closed classical narration and discovering a new, open form of story-telling, but also uses that form to produce an image of an entire society. After building a solid international audience through the 1950s with his comedies Jour de fête , Mr. Hulot's Holiday , and Mon oncle , Tati spent ten years on the planning and execution of what was to be his masterpiece, selling the rights to all his old films to raise the money he needed to construct the immense glass and steel set—nicknamed "Tativille"—that was his vision of modern Paris. The film—two hours and 35 minutes long, in 70mm and stereophonic sound—opened in France in 1967, and was an instant failure.

Playtime is what its title suggests—an idyll for the audience, in which Tati asks us to relax and enjoy ourselves in the open space his film creates, a space cleared of the plot-line tyranny of "what happens next?," of enforced audience identification with star performers, and of the rhetorical tricks of mise-en-scène and montage meant to keep the audience in the grip of pre-ordained emotions. Tati leaves us free to invent our own movie from the multitude of material he offers.

One of the ways in which Tati creates the free space of Playtime is by completely disregarding conventional notions of comic timing and cutting. There is no emphasis in the montage to tell us when to laugh, no separation in the mise-en-scène of the gag from the world around it. Instead of using his camera to break down a comic situation—to analyze it into individual shots and isolated movement—he uses deep-focus images to preserve the physical wholeness of the event and long takes to preserve its temporal integrity. Other gags and bits of business are placed in the foreground and background; small patterns, of gestures echoed and shapes reduplicated, ripple across the surface of the image. We can't look at Playtime as we look at an ordinary film, which is to say, passively, through the eyes of the director. We have to roam the image—search it, work it, play with it.

With its universe of Mies van der Rohe boxes, Playtime is often described as a satire on the horrors of modern architecture. But the glass and steel of Playtime is also a metaphor for all rigid structures, from the sterile environments that divide city dwellers to the inflexible patterns of thought that divide and compartmentalize experience, separating comedy from drama, work from play. The architecture of Playtime is also an image for the rhetorical structures of classical filmmaking: the hard, straight lines are the lines of plot, and the plate glass windows are the shots that divide the world into digested, inert fragments.

By Dave Kehr

Read more: http://www.filmreference.com/Films-Pi-Ra/Playtime.html#ixzz1isGUpeJ5


  So Let Me Have My Fun!
A Canzonetta by Aldo Palazzeschi

(excerpt)
Twee twee twee,
froo froo froo,
eehu eehu eehu,
uhee uhee uhee!
The poet’s having fun,
he’s insane,
he’s out of control!
Don’t insult him,
let him have his fun –
poor guy,
these little pranks
are his only pleasure.

Cocca docca,
Cocca docca,
cock-a-doodle-doo!
What are these vulgarities,
these oafish strophes?
Liberties, liberties,
poetic liberties!
They’re my passion.

Farafarafarafa,
Tarataratarata,
Paraparaparapa,
Laralaralarala!
Know what this is?
It’s very advanced stuff,
nothing silly –
it’s the chaff
of other poems.