Death Laid an Egg

25th November 2012
Colorama II, Lancaster Street London SE1

Doors open 7PM

Film at 7.30PM

DEATH LAID AN EGG [La morte ha fatto l'uovo]

Giulio Questi - Italy, 1968

This is a deliriously strange thriller about a scientist (Jean-Louis Trintignant) who is breeding headless, boneless chickens at a high-tech farm. He's having an affair with Ewa Aulin, who is plotting with him to kill his wife (Gina Lollobrigida)...and she's plotting with Aulin to kill him...and he and Lollobrigida are plotting...oh, it's too confusing, but extremely memorable. 

The bizarre, only semi-linear editing and trippy cinematographic techniques are artifacts of the psychedelic era and combine with the twisted story to make any Euro-cultist's dreams come true. A film that defies easy categorization, it veers uneasily between giallo, drug film, and science-fiction, with heavy doses of romance and Antonioni-like weirdness. 

It was the time of the economic boom. The process of industrialization was a growing tide that swept everything away. It was a hymn to the future, a frenetic packaging of products without distinction between animate and
inanimate. Products that were still alive were screaming in terror and anguish. Large factory farms were a symbol of this. Every man was a chicken, every hen a woman, every chick a child. Wealth was accumulated on their skin. And, above all, "the egg" triumphed; white, smooth, perfect, with a life locked inside it. Sexual perversion became the only possible way out. 
G. Questi

FRRRRREE, as usual. 

Venue confirmed

Colorama II, Lancaster Street London SE1 
(not the old colorama, but the building next door)
More info watch this space | or the twitter space 

@un_cine | or FB Full Unemployment Cinema

There's an informative post on the film here:  
http://sonofcelluloid.blogspot.co.uk/2012/01/death-laid-egg-1968.html

Extract:

The factory is the real villain of the film - the modern technology implemented by the matriarchal owner Anna has eliminated the need for human workers. The process has become entirely automated and the unemployed workers seethe with undisguised hate and resentment. The factory is coveted by Gabrielle and Mondaini and their thirst for the wealth it is about to generate motivates murder and duplicity. It is also the site for a series of monstrous and grotesque experiments, the culmination of which is the birth of a mutated headless chicken. Its destruction the only sensible thing that the confused and emasculated Marco does. His capitalist overlords however are less than happy with this, their eyes shine with greed at the prospect of a poultry product which will have no waste attached to it. If this isn’t enough the factory even claims the life of a harmless pet dog! The critique of capitalism and aggressive mechanised production techniques emerges as the most salient theme of the film. It feeds into a general sensibility of inhumanity which is reflected in the cynical and selfish behaviour of the main characters.